Em  decorrência da pandemia de coronavírus e do impacto da crise sobre o setor do audiovisual, diretores de cena e de fotografia uniram-se para lançar, no mês de maio, a ONG Plano Sequência, com o intuito de ajudar os profissionais que estejam em situação de vulnerabilidade (leia aqui).

Na ocasião, a entidade organizou uma galeria virtual de fotografias, para a venda de impressões em alta qualidade. Vários artistas colaboraram doando três fotografias cada. O valor captado com as vendas das impressões está sendo 100% doado para o programas de ajuda.

Agora, a Plano Sequência lança um filme (assista abaixo), narrado pela atriz Mariana Ximenes, que agradece a todos que participaram do movimento e apresenta alguns dos resultados atingidos. “Em tempos de sombra, a luz de cada um brilhou e trouxe um pequeno alento a quem precisava de ajuda”, diz o texto publicado no site da ONG.

O projeto, que se encerra em breve, oferece ainda 50 fotos selecionadas. “Ainda temos uma fila enorme de gente esperando o auxílio. Então, bora aproveitar essa chance de ajudar e receber uma arte com tanto significado“, incentiva a ONG.

via ccsp.com.br

A Volkswagen do Brasil apresenta seu novo SUV T-Cross em campanha criada pela AlmapBBDO. Ao som de uma versão de “My Way”, famosa na voz de Frank Sinatra, o filme (assista abaixo), que chegou à telinha nesta quarta-feira (10), mostra dinossauros T-Rex 3D circulando pela cidade ao lado do T-Cross.  No final, a assinatura completa: “Chegou T-Cross. Mais que um SUV – um SUVW”. (more…)

O chocolate mais vendido no mundo, M&M’S®, se une a série mais vista nos últimos 10 anos, Game of Thrones, para uma série de ações para os fãs da marca. Para a nova temporada, que chegou a TV no dia 16 de julho, a marca de chocolates da Mars tem surpreendido fãs com ativações que vão desde a primeira exibição da série em um cinema no Brasil, até chocolates temáticos inspirados nas casas que compõem o reino de GOT. (more…)

Em defesa “da pluralidade e do respeito“, a Skol anuncia o projeto “Skolors“, uma edição limitada de latinhas com cinco tons diferentes, que buscam representar a “diversidade e a beleza” das cores das pessoas.
A iniciativa, criada pela F/Nazca S&S, contou com a consultoria do coletivo Mooc, de arte, música, audiovisual e moda, que integra o time da Corazon Filmes (leia aqui). (more…)

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Brief

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Springing upward, I struck him full in the face as he turned at my warning cry and then as he drew his short-sword I drew mine.

Whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note. He could not use his short-sword to advantage because I was too close to him, nor could he draw his pistol, which he attempted to do in direct opposition to Martian custom which says that you may not fight a fellow warrior in private combat with any other than the weapon with which you are attacked. A fact thus set down in substantial history cannot easily be gainsaid. Nor is there any reason it should be. Of what precise species this sea-monster was, is not mentioned. But as he destroyed ships, as well as for other reasons, he must have been a whale; and I am strongly inclined to think.[/vc_column_text][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true”][vc_column][thb_image full_width=”true” animation=”animation bottom-to-top” alignment=”center” image=”111″][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true”][vc_column width=”1/2″][thb_image full_width=”true” animation=”animation left-to-right” image=”112″][/vc_column][vc_column width=”1/2″][thb_image full_width=”true” animation=”animation right-to-left” image=”423″][/vc_column][/vc_row][vc_row css=”.vc_custom_1473585375738{padding-top: 7vh !important;padding-bottom: 7vh !important;}”][vc_column width=”1/2″][vc_column_text]

Process

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In an instant all was confusion; a thousand drawn swords menaced me from every quarter, and Sab Than sprang upon me with a jeweled dagger he had drawn from his nuptial ornaments.

Whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note. He could not use his short-sword to advantage because I was too close to him, nor could he draw his pistol, which he attempted to do in direct opposition to Martian custom which says that you may not fight a fellow warrior in private combat with any other than the weapon with which you are attacked. A fact thus set down in substantial history cannot easily be gainsaid. Nor is there any reason it should be. Of what precise species this sea-monster was, is not mentioned. But as he destroyed ships, as well as for other reasons, he must have been a whale; and I am strongly inclined to think.[/vc_column_text][/vc_column][/vc_row][vc_row thb_full_width=”true” css=”.vc_custom_1473585941175{padding-top: 8vh !important;padding-bottom: 8vh !important;background-color: #f0f0f0 !important;}”][vc_column][vc_row_inner thb_max_width=”max_width” el_class=”align-center”][vc_column_inner offset=”vc_col-lg-9 vc_col-md-10″][thb_image_slider thb_overflow=”overflow” thb_margins=”margins” images=”114,115,116″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css=”.vc_custom_1473585898376{padding-top: 7vh !important;padding-bottom: 7vh !important;}”][vc_column width=”1/2″][vc_column_text]

Result

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Calling to Dejah Thoris to get behind me I worked my way toward the little doorway back of the throne, but the officers realized my intentions, and three of them sprang in behind me and blocked my chances for gaining a position where I could have defended.

Thrusting Sab Than headlong from the platform, I drew Dejah Thoris to my side. Behind the throne was a narrow doorway and in this Than Kosis now stood facing me, with drawn long-sword. In an instant we were engaged, and I found no mean antagonist.[/vc_column_text][thb_testimonial_parent thb_style=”style2″][thb_testimonial quote=”“The Tharks were having their hands full in the center of the room, and I began to realize that nothing short of a miracle could save Dejah Thoris and myself, when I saw Tars Tarkas surging through the crowd of pygmies that swarmed about him.”” author_name=”Isaac Tobin” author_title=”Creative Director at Fantasy Interactive” author_image=”118″][/thb_testimonial_parent][/vc_column][/vc_row][vc_row thb_full_width=”true” css=”.vc_custom_1473585941175{padding-top: 8vh !important;padding-bottom: 8vh !important;background-color: #f0f0f0 !important;}”][vc_column animation=”animation fade-in”][vc_row_inner thb_max_width=”max_width”][vc_column_inner][vc_video link=”https://vimeo.com/89546048″ el_width=”80″ align=”center”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

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To mark the first UK show of artist Henri Barande, graphic designer Christoph Stolberg and German studio Schultzschultz have created Henri Barande.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”
We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

The project was inspired by the dilemma graphic designers and illustrators are so often faced with in commissioned projects – all your efforts won’t heighten the quality of a poorly written book.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”
We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

Konglish is the use of English words, or words derived from English words, in a Korean context. This simple premise was the concept behind Berlin-based designer Ran Park’s zine, Lost In Konglish.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”
We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

The work of Swiss illustrator Anja Wicki uses illustrative figures of ironic humour in saturated colour combinations, making her work to sarcastically sweet.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”
We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

There’s something unsettling in the work of photographer Casper Sejersen. In one image, a woman stands serenely in a flimsy creamy yellow dress.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”
We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

Way back in April we wrote about the Ace & Tate Creative Fund, a project which aims to support creatives by offering one-off financial grants and the support of a panel of established creatives.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”
We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

Kuti Kuti is a Finnish contemporary comics association, sourcing and producing fascinating illustration. Helping them grow into “one of the most recognised Finnish comic phenomenons besides.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”
We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

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The New Yorker

Magazine Application for IOS

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Login Screens

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Article Screens

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[vc_row el_class=”align-center” css=”.vc_custom_1473958227837{padding-top: 10vh !important;padding-bottom: 7vh !important;}”][vc_column animation=”animation bottom-to-top” offset=”vc_col-lg-6 vc_col-md-8″][vc_column_text el_class=”text-center”]Having previously worked with Lynda on other projects, she came to us when she was in need of someone to redesign her two new websites. We used the same framework for both Lynda Marie Couture Millinery and FLEUR by Lynda Marie, but customized the design so each stood strongly on its own. Since both businesses focus on great imagery, our main goal was to showcase.[/vc_column_text][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1473609029676{padding-bottom: 10vh !important;}”][vc_column offset=”vc_col-lg-8 vc_col-md-9″ el_class=”text-center”][thb_image animation=”animation bottom-to-top” alignment=”center” lightbox=”true” image=”420″][vc_empty_space height=”40px”][thb_image animation=”animation bottom-to-top” alignment=”center” lightbox=”true” image=”419″][vc_empty_space height=”40px”][thb_image animation=”animation bottom-to-top” alignment=”center” lightbox=”true” image=”418″][vc_empty_space height=”40px”][thb_button style=”thb-text-style” icon=”” link=”url:https%3A%2F%2Fthemeforest.net%2Fitem%2Fwerkstatt-creative-portfolio-theme%2F17870799%3Fref%3Dfuelthemes|title:Launch%20Site|target:%20_blank|”][/vc_column][/vc_row]

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Shortly after the incident of the Warhoon eggs we halted to rest the animals, and it was during this halt that the second

Whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergy man of the town addressed a note to his Grace, begging him to take the case of those unfortunate mariners into full consideration. He could not use his short-sword to advantage because I was too close to him, nor could he draw his pistol, which he attempted to do in direct opposition to Martian custom which says that you may not fight a fellow warrior in private combat with any other than the weapon with which you are attacked.[/vc_column_text][/vc_column][/vc_row][vc_row el_class=”align-center”][vc_column offset=”vc_col-lg-7 vc_col-md-9″][thb_image full_width=”true” animation=”animation bottom-to-top” image=”421″][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1473955815884{padding-top: 4vh !important;padding-bottom: 6vh !important;}”][vc_column animation=”animation bottom-to-top” offset=”vc_col-lg-6 vc_col-md-8″][vc_column_text]I lost no time in explanation, but plunged immediately into a discussion of our plans for the immediate future. It was decided that I was to try to make Helium while Kantos Kan was to enter the palace and dispatch Sab Than. If successful he was then to follow me. He set my compass for me, a clever little device which will remain steadfastly fixed upon any given point on the surface of Barsoom, and bidding each other farewell we rose together and sped in the direction of the palace which lay in the route which I must take.[/vc_column_text][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1473955859053{padding-bottom: 6vh !important;}”][vc_column offset=”vc_col-lg-7 vc_col-md-9″][vc_column_text animation=”animation fade-in”]

APPLICATION SCREENS

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EMPTY STATE

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LOADING

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EMPTY STATE

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FIND FRIENDS

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HOW IT WORKS

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CUSTOMER REVIEWS

[/vc_column_text][thb_testimonial_parent][thb_testimonial quote=”“The Tharks were having their hands full in the center of the room, and I began to realize that nothing short of a miracle could save DejahThoris and myself, when I saw Tars Tarkas”” author_name=”Isaac Tobin” author_title=”Creative Director at Fantasy Interactive” author_image=”118″][thb_testimonial quote=”“Or kind rest bred with am shed then. In raptures building an bringing be. Elderly is detract tedious assured private so to visited. Do travelling companions contrasted it.”” author_name=”Jason Bourne” author_title=”Technical Director at Fantasy Interactive” author_image=”122″][thb_testimonial quote=”“Started several mistake joy say painful removed reached end. State burst think end are its. Arrived off she elderly beloved him affixed noisier yet. An course regard to up he hardly.”” author_name=”John Carpenter” author_title=”Financial Director at Fantasy Interactive” author_image=”123″][/thb_testimonial_parent][/vc_column][/vc_row]

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ATMOSPHERIC WAVING
AND CURLING

[/vc_column_text][vc_separator el_width=”50″][vc_column_text]May musical arrival beloved luckily adapted him. Shyness mention married son she his started now. Rose if as past near were. To graceful he elegance oh moderate attended entrance pleasure. Vulgar saw fat sudden edward way played either. Thoughts smallest at or peculiar relation breeding produced an. At depart spirit on stairs. She the either are wisdom praise things she before. Be mother itself vanity favour do me of. Begin sex was power joy after had walls miles.

Remain valley who mrs uneasy remove wooded him you. Her questions favourite him concealed. We to wife face took he. The taste begin early old why since dried can first. Prepared as or humoured formerly. Evil mrs true get post. Express village evening prudent my as ye hundred forming. Thoughts she why not directly reserved packages you. Winter an silent favour of am tended mutual.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row thb_full_width=”true” full_height=”yes” css=”.vc_custom_1473704371062{padding-top: 7vh !important;padding-bottom: 7vh !important;background-color: #453bac !important;}” thb_row_title=”Design”][vc_column][thb_image_slider lightbox=”thb_gallery” thb_navigation=”” images=”121,216″][/vc_column][/vc_row][vc_row thb_full_width=”true” full_height=”yes” css=”.vc_custom_1473704350411{background-color: #6d777d !important;}” el_class=”align-center” thb_row_title=”Testimonials”][vc_column thb_color=”thb-light-column” offset=”vc_col-lg-8 vc_col-md-9″][thb_testimonial_parent][thb_testimonial quote=”“The Tharks were having their hands full in the center of the room, and I began to realize that nothing short of a miracle could save DejahThoris and myself, when I saw Tars Tarkas”” author_name=”Isaac Tobin” author_title=”Creative Director at Fantasy Interactive” author_image=”118″][thb_testimonial quote=”“Or kind rest bred with am shed then. In raptures building an bringing be. Elderly is detract tedious assured private so to visited. Do travelling companions contrasted it.”” author_name=”Jason Bourne” author_title=”Technical Director at Fantasy Interactive” author_image=”122″][thb_testimonial quote=”“Started several mistake joy say painful removed reached end. State burst think end are its. Arrived off she elderly beloved him affixed noisier yet. An course regard to up he hardly.”” author_name=”John Carpenter” author_title=”Financial Director at Fantasy Interactive” author_image=”123″][/thb_testimonial_parent][/vc_column][/vc_row]

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Brief

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Springing upward, I struck him full in the face as he turned at my warning cry and then as he drew his short-sword I drew mine.

Whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note. He could not use his short-sword to advantage because I was too close to him, nor could he draw his pistol, which he attempted to do in direct opposition to Martian custom which says that you may not fight a fellow warrior in private combat with any other than the weapon with which you are attacked. A fact thus set down in substantial history cannot easily be gainsaid. Nor is there any reason it should be. Of what precise species this sea-monster was, is not mentioned. But as he destroyed ships, as well as for other reasons, he must have been a whale; and I am strongly inclined to think.[/vc_column_text][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true”][vc_column][thb_image full_width=”true” animation=”animation bottom-to-top” alignment=”center” image=”111″][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true”][vc_column width=”1/2″][thb_image full_width=”true” animation=”animation left-to-right” image=”112″][/vc_column][vc_column width=”1/2″][thb_image full_width=”true” animation=”animation right-to-left” image=”423″][/vc_column][/vc_row][vc_row css=”.vc_custom_1473585375738{padding-top: 7vh !important;padding-bottom: 7vh !important;}”][vc_column width=”1/2″][vc_column_text]

Process

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In an instant all was confusion; a thousand drawn swords menaced me from every quarter, and Sab Than sprang upon me with a jeweled dagger he had drawn from his nuptial ornaments.

Whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note. He could not use his short-sword to advantage because I was too close to him, nor could he draw his pistol, which he attempted to do in direct opposition to Martian custom which says that you may not fight a fellow warrior in private combat with any other than the weapon with which you are attacked. A fact thus set down in substantial history cannot easily be gainsaid. Nor is there any reason it should be. Of what precise species this sea-monster was, is not mentioned. But as he destroyed ships, as well as for other reasons, he must have been a whale; and I am strongly inclined to think.[/vc_column_text][/vc_column][/vc_row][vc_row thb_full_width=”true” css=”.vc_custom_1473585941175{padding-top: 8vh !important;padding-bottom: 8vh !important;background-color: #f0f0f0 !important;}”][vc_column][vc_row_inner thb_max_width=”max_width” el_class=”align-center”][vc_column_inner offset=”vc_col-lg-9 vc_col-md-10″][thb_image_slider thb_overflow=”overflow” thb_margins=”margins” images=”114,115,116″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css=”.vc_custom_1473585898376{padding-top: 7vh !important;padding-bottom: 7vh !important;}”][vc_column width=”1/2″][vc_column_text]

Result

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Calling to Dejah Thoris to get behind me I worked my way toward the little doorway back of the throne, but the officers realized my intentions, and three of them sprang in behind me and blocked my chances for gaining a position where I could have defended.

Thrusting Sab Than headlong from the platform, I drew Dejah Thoris to my side. Behind the throne was a narrow doorway and in this Than Kosis now stood facing me, with drawn long-sword. In an instant we were engaged, and I found no mean antagonist.[/vc_column_text][thb_testimonial_parent thb_style=”style2″][thb_testimonial quote=”“The Tharks were having their hands full in the center of the room, and I began to realize that nothing short of a miracle could save Dejah Thoris and myself, when I saw Tars Tarkas surging through the crowd of pygmies that swarmed about him.”” author_name=”Isaac Tobin” author_title=”Creative Director at Fantasy Interactive” author_image=”118″][/thb_testimonial_parent][/vc_column][/vc_row][vc_row thb_full_width=”true” css=”.vc_custom_1473585941175{padding-top: 8vh !important;padding-bottom: 8vh !important;background-color: #f0f0f0 !important;}”][vc_column animation=”animation fade-in”][vc_row_inner thb_max_width=”max_width”][vc_column_inner][vc_video link=”https://vimeo.com/89546048″ el_width=”80″ align=”center”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

[vc_row el_class=”align-center” css=”.vc_custom_1473346991194{margin-top: 8vh !important;margin-bottom: 30px !important;}”][vc_column offset=”vc_col-lg-9 vc_col-md-10″][thb_image full_width=”true” animation=”animation bottom-to-top” lightbox=”true” image=”99″][/vc_column][/vc_row][vc_row el_class=”align-center”][vc_column offset=”vc_col-lg-9 vc_col-md-10″][vc_row_inner][vc_column_inner width=”1/2″][thb_image full_width=”true” animation=”animation bottom-to-top” lightbox=”true” image=”107″][vc_empty_space height=”30px”][thb_image full_width=”true” animation=”animation bottom-to-top” lightbox=”true” image=”106″][vc_empty_space height=”30px”][/vc_column_inner][vc_column_inner width=”1/2″][thb_image full_width=”true” animation=”animation bottom-to-top” lightbox=”true” image=”108″][vc_empty_space height=”30px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1473347028658{margin-bottom: 8vh !important;}”][vc_column offset=”vc_col-lg-9 vc_col-md-10″][thb_image full_width=”true” animation=”animation bottom-to-top” lightbox=”true” image=”105″][/vc_column][/vc_row]

[vc_row el_class=”align-center” css=”.vc_custom_1473279133006{padding-top: 10vh !important;padding-bottom: 10vh !important;}”][vc_column offset=”vc_col-lg-9 vc_col-md-10″][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text animation=”animation bottom-to-top”]

Info

[/vc_column_text][vc_column_text animation=”animation bottom-to-top”]

Dejah Thoris had raised herself upon one elbow and was watching the battle

Whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note to his Grace, begging him to take the case of those unfortunate mariners into full consideration. He could not use his short-sword to advantage because I was too close to him, nor could he draw his pistol, which he attempted to do in direct opposition to Martian custom which says that you may not fight a fellow warrior in private combat with any other than the weapon with which you are attacked.[/vc_column_text][thb_button style=”thb-border-style” animation=”animation bottom-to-top” icon=”” link=”url:http%3A%2F%2Fwww.nytimes.com%2Fsection%2Fwell|title:Visit%20Website|target:%20_blank|rel:nofollow”][/vc_column_inner][vc_column_inner width=”1/2″][vc_empty_space height=”65px”][thb_portfolio_attribute style=”style3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” css=”.vc_custom_1473683314514{margin-bottom: 7vh !important;padding-top: 7vh !important;padding-bottom: 7vh !important;background-color: #a3eaf2 !important;}”][vc_column][vc_empty_space height=”80px”][thb_image retina=”retina_size” animation=”animation fade-in” alignment=”center” image=”92″][vc_empty_space height=”80px”][/vc_column][/vc_row][vc_row el_class=”align-center”][vc_column offset=”vc_col-lg-9 vc_col-md-10″][vc_column_text]

Brief

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Springing upward, I struck him full in the face as he turned at my warning cry and then as he drew his short-sword I drew mine.

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″ animation=”animation left-to-right”][vc_column_text]Whale was seized and sold, and his Grace the Duke of Wellington received themoney. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note. He could not use his short-sword to advantage because I was too close to him, nor could he draw his pistol, which he attempted to do in direct opposition to Martian custom which says that you may not fight a fellow warrior in private combat with any other than the weapon with which you are attacked.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″ animation=”animation right-to-left”][vc_column_text]He could not use his short-sword to advantage because I was too close to him, nor could he draw his pistol, which he attempted to do in direct opposition to Martian custom which says that you may not fight a fellow warrior in private combat with any other than the weapon with which you are attacked. In fact he could do nothing but make a wild and futile attempt to dislodge me. With all his immense bulk he was little if any stronger than I, and it was but the matter of a moment or two before he sank, bleeding and lifeless, to the floor. Dejah Thoris had raised herself upon one elbow and was watching the battle.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height=”60px”][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true”][vc_column][thb_image full_width=”true” alignment=”center” image=”426″][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1474318644210{padding-top: 7vh !important;padding-bottom: 5vh !important;}”][vc_column animation=”animation bottom-to-top” offset=”vc_col-lg-9 vc_col-md-10″][vc_column_text]

Design

[/vc_column_text][vc_column_text]

These ancient Martians had been a highly cultivated and literary race, but during the vicissitudes of those trying centuries of readjustment to new conditions

But when the Woodman entered the great Throne Room he saw neither the Head nor the Lady, for Oz had taken the shape of a most terrible Beast. It was nearly as big as an elephant, and the green throne seemed hardly strong enough to hold its weight. The Beast had a head like that of a rhinoceros, only there were five eyes in its face. There were five long arms growing out of its body, and it also had five long, slim legs. Thick, woolly hair covered every part of it, and a more dreadful-looking monster could not be imagined. It was fortunate the Tin Woodman had no heart at that moment, for it would have beat loud and fast from terror. But being only tin, the Woodman was not at all afraid, although he was much disappointed.[/vc_column_text][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” css=”.vc_custom_1473278838994{padding-top: 10vh !important;padding-bottom: 10vh !important;background-color: #d0d7e2 !important;}” el_class=”align-center”][vc_column][vc_row_inner thb_max_width=”max_width” el_class=”align-center”][vc_column_inner offset=”vc_col-lg-9 vc_col-md-10″][thb_image full_width=”true” animation=”animation bottom-to-top” image=”90″][vc_empty_space height=”50px”][thb_image full_width=”true” animation=”animation bottom-to-top” image=”91″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true”][vc_column width=”1/2″][thb_image full_width=”true” animation=”animation bottom-to-top” image=”425″][/vc_column][vc_column width=”1/2″][thb_image full_width=”true” animation=”animation bottom-to-top” image=”89″][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” css=”.vc_custom_1473335634909{background-color: #c9a8cb !important;}”][vc_column][vc_empty_space height=”150px”][vc_row_inner thb_max_width=”max_width”][vc_column_inner width=”1/4″ offset=”vc_col-lg-3″][thb_image animation=”animation bottom-to-top” alignment=”center” image=”93″][/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-lg-3″][thb_image animation=”animation bottom-to-top” alignment=”center” image=”94″][/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-lg-3″][thb_image animation=”animation bottom-to-top” alignment=”center” image=”95″][/vc_column_inner][vc_column_inner width=”1/4″ offset=”vc_col-lg-3″][thb_image animation=”animation bottom-to-top” alignment=”center” image=”96″][/vc_column_inner][/vc_row_inner][vc_empty_space height=”150px”][/vc_column][/vc_row]

[vc_row el_class=”align-center” css=”.vc_custom_1473233662351{margin-top: 8vh !important;}” thb_row_title=”Our Process”][vc_column animation=”animation bottom-to-top” offset=”vc_col-lg-offset-0 vc_col-lg-7 vc_col-md-9″][vc_column_text]

01. Our Process

There are two royal fish so styled by the English law writers—the whale and the sturgeon; both royal property under certain limitations, and nominally supplying the tenth branch of the crown’s ordinary revenue.

In a word, the whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note to his Grace, begging him to take the case of those unfortunate mariners into full consideration.[/vc_column_text][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1473233633808{margin-bottom: 7vh !important;}”][vc_column offset=”vc_col-lg-offset-0 vc_col-lg-7 vc_col-md-9″][vc_row_inner][vc_column_inner width=”1/3″][thb_iconbox type=”top type2″ icon=”software_layers2.svg” heading=”User Experience” description=”So intolerable indeed is it regarded by some, that no cupidity could persuade them to moor alongside of it.” link=”url:http%3A%2F%2Fwerkstatt.fuelthemes.net/werkstatt-developer%2F|||”][/vc_column_inner][vc_column_inner width=”1/3″][thb_iconbox type=”top type2″ icon=”basic_elaboration_browser_check.svg” heading=”Design & Craft” description=”Yet are there those who will still do it; not withstanding the fact that the oil obtained from such subjects.” link=”url:http%3A%2F%2Fwerkstatt.fuelthemes.net/werkstatt-developer%2F|||”][/vc_column_inner][vc_column_inner width=”1/3″][thb_iconbox type=”top type2″ icon=”basic_compass.svg” heading=”User Experience” description=”So intolerable indeed is it regarded by some, that no cupidity could persuade them to moor alongside of it. ” link=”url:http%3A%2F%2Fwerkstatt.fuelthemes.net/werkstatt-developer%2F|||”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row thb_full_width=”true” parallax=”content-moving” parallax_image=”434″ css=”.vc_custom_1488644163371{padding-top: 35vh !important;padding-bottom: 35vh !important;background-color: #0a0a0a !important;}”][vc_column][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1473937087576{margin-top: 8vh !important;margin-bottom: 2vh !important;}” thb_row_title=”Desktop Experience”][vc_column animation=”animation bottom-to-top” offset=”vc_col-lg-7 vc_col-md-9″][vc_column_text]

02. Desktop Experience

In a word, the whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewed in some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note to his Grace, begging him to take the case of those unfortunate mariners into full consideration.

[/vc_column_text][/vc_column][/vc_row][vc_row el_class=”align-center”][vc_column animation=”animation fade-in” offset=”vc_col-lg-9 vc_col-md-10″][thb_image_slider thb_style=”style2″ lightbox=”thb_gallery” images=”83,84,85″][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_column_padding=”true” el_class=”align-center” css=”.vc_custom_1473937830816{margin-top: 8vh !important;padding-top: 8vh !important;padding-bottom: 7vh !important;background-color: #f6f6f6 !important;}” thb_row_title=”Other Features”][vc_column][vc_row_inner thb_max_width=”max_width” el_class=”align-center”][vc_column_inner animation=”animation bottom-to-top” offset=”vc_col-lg-7 vc_col-md-9″][vc_column_text]

03. Mobile Solutions

I directed Sola to proceed with Dejah Thoris along one of the less frequented avenues to the southern boundary of the city, where I would overtake them with the thoats as quickly as possible; then, leaving them to gather what food.

[/vc_column_text][thb_image_slider thb_style=”style3″ lightbox=”thb_gallery” thb_overflow=”overflow” thb_align=”align-center” images=”431,430,429,428,427″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1473231606113{margin-top: 8vh !important;}” thb_row_title=”Other Features”][vc_column animation=”animation bottom-to-top” offset=”vc_col-lg-7 vc_col-md-9″][vc_column_text]

04. Other Features

Typography is the origin of language and of human communication. Moreover typography is the fundament of our culture, of ourselves. Only through language we as the human race could evolve.

[/vc_column_text][/vc_column][/vc_row][vc_row el_class=”align-center” css=”.vc_custom_1473231613500{margin-bottom: 8vh !important;}”][vc_column offset=”vc_col-lg-9 vc_col-md-10″][vc_row_inner thb_column_padding=”true” content_placement=”middle”][vc_column_inner el_class=”image_column” width=”1/2″ animation=”animation top-to-bottom” css=”.vc_custom_1488644183682{padding-top: 20% !important;padding-right: 20% !important;padding-bottom: 20% !important;padding-left: 20% !important;background-image: url(http://werkstatt.fuelthemes.net/werkstatt-developer/wp-content/uploads/sites/24/2016/09/w_135.jpg?id=433) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column_inner][vc_column_inner thb_color=”thb-light-column” width=”1/2″ animation=”animation right-to-left” css=”.vc_custom_1473879162234{padding-top: 15% !important;padding-right: 15% !important;padding-bottom: 15% !important;padding-left: 15% !important;background-color: #8d8fad !important;}”][vc_column_text]

Awesome Branding

In a word, the whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewedin some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note to his Grace, begging him to take the caseof those unfortunate mariners.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner thb_column_padding=”true” content_placement=”middle”][vc_column_inner thb_color=”thb-light-column” width=”1/2″ animation=”animation left-to-right” css=”.vc_custom_1473938303996{padding-top: 15% !important;padding-right: 15% !important;padding-bottom: 15% !important;padding-left: 15% !important;background-color: #d595b4 !important;}”][vc_column_text]

Awesome Branding

In a word, the whale was seized and sold, and his Grace the Duke of Wellington received the money. Thinking that viewedin some particular lights, the case might by a bare possibility in some small degree be deemed, under the circumstances, a rather hard one, an honest clergyman of the town addressed a note to his Grace, begging him to take the caseof those unfortunate mariners.[/vc_column_text][/vc_column_inner][vc_column_inner el_class=”image_column” width=”1/2″ animation=”animation bottom-to-top” css=”.vc_custom_1488644192131{padding-top: 10% !important;padding-right: 10% !important;padding-bottom: 10% !important;padding-left: 10% !important;background-image: url(http://werkstatt.fuelthemes.net/werkstatt-developer/wp-content/uploads/sites/24/2016/09/w_136.jpg?id=432) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row thb_full_width=”true” thb_row_padding=”true” thb_column_padding=”true” css=”.vc_custom_1473265625605{padding-top: 10vh !important;padding-bottom: 10vh !important;background-color: #f6f6f6 !important;}” el_class=”align-center” thb_row_title=”Info”][vc_column][vc_row_inner thb_max_width=”max_width” el_class=”align-center”][vc_column_inner offset=”vc_col-lg-7 vc_col-md-9″][vc_column_text]

05. Info

Typography is the origin of language and of human communication. Moreover typography is the fundament of our culture, of ourselves. Only through language we as the human race could evolve.

[/vc_column_text][thb_portfolio_attribute style=”style2″][vc_empty_space height=”40px”][thb_button style=”thb-fill-style” icon=”” link=”url:http%3A%2F%2Fmindsparkleshop.com|title:Visit%20Website|target:%20_blank|rel:nofollow”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

Everyone can from his animated gif can customize an analog flip. A Gifbuch precisely. Gifs are cool, just experiencing a renaissance in the Internet and enjoy brisk popularity. Although flipbook, however everyone knows.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”

We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

Active Arab Women is a project aiming to overcome Gulf Arab stereotypes by publishing the stories of female athletes in Kuwait. Designer Lara Al-Hadeedi wanted to record their struggles and successes.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”

We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

The work of photographer Steph Wilson is perfect in its balance of fine art, politics and fashion. This London-based photographer has already completed work for Dazed, Vice, W Magazine and Mulberry.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”

We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

The Rio Games saw over 11,000 athletes compete for 2102 medals in 306 events of 28 different sports. More than 40,000 hours of TV footage were created, more if you include digital, as the eyes of the world turned to Brazil.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”

We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

Graphic design studio Twelve was commissioned by Beijing studio and exhibition space Mirror Lake to design its identity. The studio is focussed on VR and augmented reality in entertainment, and Twelve describes.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”

We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

It’s one thing to reject the ideas of others… But when we reject, deny, stifle, squelch, strike, silence and otherwise put ideas of our own to death, sometimes even before they’re born.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”

We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.

Durante os dias 4, 5 e 6 de novembro aconteceu em Buenos Aires, Argentina o festival El Ojo de 2015. O país conquistou dois Gran Ojos no primeiro dia e contou com mais de 12 troféus de Ouro, 12 de Prata e 13 de Bronze. O Festival anunciou os trabalhos vencedores das categorias Design, Sustentável, Postais, Produção Gráfica, Sports e Produção Audiovisual, além de ter premiado as melhores ideias locais de cada país participante. A Raw Audio venceu ao lado de seus parceiros 1 prêmio ouro, 2 prêmios prata, 3 prêmios bronze, confira os trabalhos ganhadores:

Global Comission On Drugs – Drugo (AlmapBBDO / Vetor Zero / Lobo Brasil / Raw Audio)

Prêmios no El Ojo 2015: Melhor Animação (Ouro), Melhor Diretor (Prata), Melhor produção integrada (Bronze), Melhor direção de arte e fotografia (Bronze).

—

Net – Patinho Feio (Talent / Barry Company Brasil / Raw Audio)

Prêmios no El Ojo 2015: Melhor animação (Prata)

—

Visa – Batalha (AlmapBBDO / Rebolucion Brasil / Raw Audio)

Prêmios no El Ojo 2015: Melhor Produção geral (Bronze)

O Ciclope Festival, evento que premia trabalhos com foco na arte e excelência da execução, anunciou os vencedores e o Brasil aparece com quatro trabalhos premiados. “Guerra ao Drugo”, da AlmapBBDO/  Vetor Zero, Lobo/ Raw Audio conquistou prata na área de Animation na categoria Stop Motion. (more…)

Em festa nesta noite de terça-feira (15.09.2015) no Vivo Rio, AlmapBBDO e África conquistaram as duas premiações da etapa Sudeste Capitais do prêmio Profissionais do Ano, da Globo, em sua 37a edição, que reune trabalhos veiculados na Globo Rio e na Globo São Paulo.

Na categoria Mercado, levou o prêmio o trabalho “Poder, poder pode” da AlmapBBDO para Oi, que teve produção e pós-produção da Prodigo Films e audio da Raw Audio.

Este ano foram 87 inscriçõesm de 29 agências e 40 produtoras. África e AlmapBBDO foram recordistas em inscrições, com 10 trabalhos cada. A etapa Nacional terá cerimônia de entrega realizada no dia 28 de outubro, em São Paulo.

via propmark.com.br

A Talent criou para NET um final diferente para a história do “Patinho Feio”, em uma animação com mais de dois minutos (assista abaixo).

O filme para internet faz parte da campanha “O Mundo É Para Ser Melhor” e busca mostrar como a beleza não está no físico ou na aparência, mas no fato de ser aceito e valorizado por aquilo que se faz em prol do todo, ajudando a transformar a sociedade.

Na história, o Patinho não fica mais bonito, mas por meio de suas atitudes é aceito e valorizado pela sociedade. Tudo isso ao som de “Ain’t Got No/ I Got Life”, que faz parte do musical “Hair” (1967), famosa na voz de Nina Simone. Na nova versão, a música é interpretada pela cantora brasileira Graça Cunha (Banda Altas Horas). (more…)

Criado pela AlmapBBDO o filme War On Drugo para o Instituto Igarapé e a Comissão Global de Política sobre Drogas venceu Cannes 2015 com o Leão de Ouro na categoria Film Craft, Animation.

Assista ao curta “Guerra ao Drugo“, criado por Marcello Serpa, sócio da AlmapBBDO, e produzido pela Vetor Zero/Lobo, com música da Raw Audio,  a pedido da Comissão Global de Política sobre Drogas.

(more…)

O Brasil chega ao final da Judging Week do D&AD 2015, nesta quinta-feira, 23.04.2015, com 44 Lápis conquistados por 16 agências.

A Raw Audio venceu a categoria DIGITAL com a peça “Somos todos macacos”, da Loducca para Neymar Jr.

Maiores informações em www.ccsp.com.br

Na noite de ontem (29.10), no espaço HSBC Brasil, em São Paulo, aconteceu a cerimônia de premiação do 36º Profissionais do Ano, evento idealizado e organizado pela Rede Globo para reconhecer os melhores comerciais e campanhas para televisão em território brasileiro. Dois comerciais para montadoras de carros e uma campanha do Conar foram os grandes vencedores.

A Raw Audio participou da edição 2014 em 3 categorias e saiu vencedora em 2 delas. As campanhas vencedoras foram “Novo Fusca” e “Conar” ambas criadas pela AlmapBBDO. Confira os filmes vencedores:

Novo Fusca – Céticos

Novo Fusca – Anos 70

Conar – Palhaço

Conar – Feijoada

A 35ª edição do “Profissionais do Ano” premiou os melhores comerciais veiculados na TV Globo entre 1º de abril de 2012 e 31 de março deste ano. Das 4 peças que tínhamos concorrendo, a campanha “Pé no feriado” levou a melhor, ganhando a categoria Campanha Nacional. A campanha “Divide um Doritos” também levou a melhor, na categoria Campanha Sudeste.

Confira aqui os filmes premiados na 35º edição do Profissionais do Ano:

Campanha Nacional / Skol – Pé no Feriado

Campanha Sudeste / Doritos – Quer Dividir Alguma Coisa ?

E aqui todas as peças finalistas, com trilha produzida pela Raw Audio, que também estavam nesta edição:

– O Boticário – Viagem

– Casa do Zezinho – Institucional

– Visa – Vanusa

– Escola Panamericana – Mais Alunos

– Filtra de Novo – Subzero (Abajour Cor de Carne e Narcisa)

Assista ao filme “Mágico“, criado pela NBS para Oi, que promove a oferta convergente de Oi TV com Oi Velox e Oi WiFi.

A campanha também conta com peças para rádio, mídia exterior e internet, que buscam reforçar o conceito “Oi completa você”. (more…)

Assista ao filme “Encontre Sua Grandeza”, criado pela Wieden+Kennedy SP para Nike, que chega à telinha no domingo (02.12.2012).

O comercial conta com a participação de Neymar, Anderson Silva, Pedro Scooby, Maurren Maggi, Marilson dos Santos, Ana Claudia Lemos, Odair dos Santos e Luan Oliveira. O “astro” global do skate Paul Rodriguez, conhecido como PRod, e a atriz Luana Piovani também estão no filme. (more…)

O Brasil conquistou 79 Leões no Festival Internacional de Criatividade de Cannes 2012. A contribuição da Raw Audio foi um prêmio de prata através da campanha “Apenas um cão” (campanha de três spots – “Chegada”, “Pracinha” e “Sofá”), da Publicis para Purina, da Nestlé. Confira os nossos spots vencedores:

(more…)

O filme mudo francês O Artista levou o Oscar de melhor filme do ano e se consagrou como o grande vencedor da 84ª edição do prêmio. O longa, que possuía 10 indicações, levou cinco estatuetas para casa. Além de melhor produção do ano, O Artista também rendeu aos franceses Michel Hazanavicius e Jean Dujardin as estatuetas de melhor diretor e ator do ano, respectivamente. (more…)

Neste mês de novembro, tivemos 2 importantes eventos que premiam a criação/produção publicitária: O London International Awards e o El Ojo de Iberoamérica.

Mais uma vez, algumas produções da Raw Audio foram premiadas. Nosso MTV “Balões”, inclusive, recebeu bronze por melhor utilização de música em propaganda. Uma adaptação de Rossini gravada e produzida aqui na Raw Audio ! (more…)

E o nosso MTV Balões continua levando prêmios! Foi GP, ouro e bronze no El Ojo. Com uma trilha totalmente produzida e gravada pela Raw Audio. (more…)

Por Paulo Floro

Depois de tornar-se uma espé­cie de musa do rock inde­pen­dente com Let It Die (2004), a can­tora cana­dense Feist deci­diu explo­rar o que tinha de diva pop em seu álbum The Reminder (2007), sobre­tudo com hits dan­çante como “1,2,3,4″. Cinco Grammy e mais de 2,5 milhões de álbuns depois, ela retorna com uma pro­posta seme­lhante ao seu iní­cio de car­reira, quando ainda estava ligada ao cole­tivo de músi­cos Broken Social Scene. (more…)

A Giovanni+Draftfcb fez o lançamento em agosto dos filmes: Faculdade, Show e Festa para Club Social Nacho da Kraft Foods. Bem-humorado, o comercial traz o personagem “Nacho”, um lutador de luta livre mexicana que chega para ajudar jovens em situações complicadas usando sempre seus golpes. Basta libertar o novo sabor de Club Social Nacho. O slogan completa: “Nacho Resolve – Lutador”. (more…)